This is when Glen came back from his sabbatical. We had been working on this character for six months with modelers, trying to figure out what he was doing in the drawing, and we thought we were getting close. And then he came back, and he was just like, “well, if you just like, move the eyes here, and just, change the distance here, and move the nose…” and just little tweaks that he just had this, like, fresh eye on the character and just gave us this really quick guidance and within three days he did a couple drawings like this one. It’s kind of amazing how fast the rigs were done with once he was back in there…so this is a pose of that same drawing.
ctn expo 2010
In almost every musical ever written, there’s a place, usually the third song in the evening, sometimes it’s the second, sometimes it’s the fourth, quite early, when the leading lady usually sits down on something … and sings about what she wants in life. And the audience falls in love with her, and then roots for her to get it for the rest of the night. —Howard Ashman (rest in peace)
Dreams
I have dreams
When I’m awake
When I’m asleep
(x)
Glen Keane’s example of Rapunzel using her hair.
“He’s always making the expression that he’s drawing… he’s making the expression even more than what he’s drawing. We didn’t set this up, he’s really doing this.”
—John Kahr, when talking about Glen Keane
